Search: Starring Isabella Rossellini

Though it doesn't really go anywhere new, this film provides a solid document of a series of interesting lives, and succeeds in showing that being good looking doesn't equal being stupid or having nothing to say.

Essentially a celebration of glorious selfishness.

One of the great masterpieces of modern cinema

The central portion of the film is delciously discomfiting.

Rohrwacher’s visually eclectic style is well suited to exploring the contrasts between present and past, natural and artificial, poverty and wealth.

Director Edward Berger and his director of photography Stephane Fontaine have made every frame art.

Well-paced, genuinely funny most of the time and emotionally resonant.

Both female stars are on fine form here, relishing the chance to let go and unleash the full force of their personalities.

Villeneuve knows how to stoke the tension so that benign moments become first unsettling and then downright creepy.

Flashes a light to illuminate different stages in the life of the man who invented himself with style and grace.

When Pixar are good, they are very very good, and this is.

As wild as it seems at times, the film is deeply grounded in an emotional truth for each of the protagonists.

To enjoy this kind of adventure, you have to get lost in Guy Maddin's house, because he has made a ghost of a film - 'but a ghost isn't nothing.'

I don’t know what irritated me more: the film’s cosy predictability and thematic conservatism or its insufferably mawkish tone.

Director Tiffany Bartok doesn't shy away from the depressing aspects of Kevyn's story, nor obfuscate his responsibility for parts of what went wrong.

The puppetry here is brilliantly done.

A warm and witty tribute to man's best friend and an odd couple love story.

The film is all words and attitude.

Insightful and at times wonderfully playful.

Hilarious throughout.

While the lo-fi production design on the spaceship - with its man-made webbing and items from food tins to tools strapped down left right and centre - is absorbing in its detail, there's only so long it can distract you from the film's bloated running time.

Joaquin Phoenix is utterly convincing in this role, conveying the longing and confusion with glimpses of the happier guy he could be.

A self-important, prosaic and ill-defined artistic tableau.

The meandering pace can get tedious at times, but cinematically it's a masterpiece.